A Place for Everyone

I resonate with Makoto Fujimura.

When I meet someone on a plane and I tell them I am an artist, I almost always have to go into “explaining mode” to answer the same common questions: “What kind of art do you make?” “Why do you do it?” “Can you make a living?”

If I said I was an electrical engineer, explaining would not be necessary. But tell people, particularly Christians, that I am an artist and I am immediately regarded with suspicion and thoughtless dismissal: “You don’t paint nudes, do you?” “I don’t understand modern art.” “You make that weird stuff that my kids could paint and then call it ‘art,’ don’t you?”

No wonder artist types sit in the back of the church and leave as soon as the music ends, if they come to church at all. Church is for successful people, for respectable folks with real jobs.

Now, I am not an artist, I have a "real job" and sometimes I am good at playing the respectable insider at church. But I have an artist's leaning and an artist's sympathies, and among my regrets is the wish I had patiently nurtured these inclinations, particularly in high school and college. I attempt to do this now. This blog is an outlet for my creative and thoughtful side, and I take particular joy in leading worship at my church, because I get to be play a creative role in genuine Kingdom work. Thus, I am encouraged when Fujimura goes on to describe how blissfully artistic God and many of his chosen people are. Like the typical artist in the back of the church he describes, I have often felt left out in church settings where the artist's gifts and sensibilities are unappreciated.

This train of thought reminded me, however, of a post by John Mark Reynolds in First Things' Evangel blog. Reynolds reminds us that, whatever her flaws as an artist or a philosopher, Ayn Rand sticks up for the businessman. I would argue with anyone who treats productivity as the highest virtue, but it is a virtue, and so much of what's good about our country was built on the back the business folk who produced things, with efficiency, in an effort to maximize potential. Rand stands out, Reynolds notes, because so much art and entertainment treats business types with contempt. But it is these types who create wealth, jobs and prosperity, and make a real contribution to art and flourishing.

So, both the artist and the businessman feel under attack. Anyone else? Perhaps the traveler, or the domestic? The lawyer? The politician? The athlete? The un-athletic? The academic? The less educated? A particular class? Gender? Race? Background? Interest? Political persuasion? Personality type?

The good news is, the church has a place for you. John writes in Revelations that every tongue, tribe and nation will be represented. He might have added that every occupation and Myers-Briggs letter combination will be there as well. Strange, isn't it, in light of our continued sad divisions? Strange as well, even in churches where the people seem relatively uniform, we can feel isolated in our interests and inclinations. Perhaps an artist can sit next to a businessperson in the pew, both wondering if they are judged, if they are among the left out?

I don't think the answer is more niche-market churches - we will spend an eternity together (which will indeed be heaven and not hell), so we should learn to make everyone feel welcome. We certainly need the likes of Fujimura and Reynolds to remind us how our types, strengths and indeed our very diversity reflect our Creator. When we go to church, we need to find those who are like us, who understand us and who we understand. They will be water for our souls. We also need to find those who are different, and learn from them. If done well, with genuine love, honesty and openness, they will strengthen us. They will point us in the right direction to make the church as it should be. As it will be.